Marta Yanci
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乌穆特·苏巴西
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Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
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费尔南多·冈萨雷斯·莫利纳
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Killian is a young man who has never left the remote mountains of Huesca (Spain)@金刚狼游戏@ which saw him grow up. In 1953, he travels back to the exotic Equatorial African island of Fernando Poo, in Spanish Guinee, where he was born, to work in a cacao plantation alongside his father and his brother. During 20 years in this island, until the troubled days of independence, he will undertake a journey towards maturity and knowledge, but will also have to deal @花不弃演员表@with pain and loss.
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拉夫·迪亚兹
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麦哲伦是一位航海家，他秉持人道主义精神和对正义的信仰，反抗国王的权力。然而，当他最终掌管香料舰队，完成首次环球航行后，他的旅程又将如何揭开他自身的谜团呢？
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Vlad Yudin
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当AI技术开始威胁传统健身指导时，一位健身商业大咖被迫走上变革之路。他远赴全球各地，深入探寻人工智能如何重塑健身行业，并致力于研究教练该如何驾驭AI而非被其取代。
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瑞安·J·斯隆
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A young woman who has been separated from her daughter @春暖花开 亚洲无码@works one odd job after another while battling a brain disorder whose name she does not know, but which deforms her perception of time and reality. At a @加油吧威基基2@group therapy session, she agrees to a mysterious deal w@亚洲b@ith one of the fellow participants. Shot on a shoestring budget but in magnificent 16mm, and co-written with the magnetic lead actress, Ariella Mastroianni, Gazer gazes back on the masters o@缘分天空动漫无删减版@f the paranoid thriller of the 70s and 80s.
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安立奎·高德
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业余考古学家泰德最大的梦想就是希望能够得到大家的认可和尊重@暖暖日本在线观看高清中文@，但是却一再错失良机。当他的朋友木乃伊，杰夫和贝尔佐尼的生命受到诅咒威胁时，泰德不惜破坏了奥尔梅克金字塔只@国产亚洲欧美在线播放@为拯救朋友。然而他这一行为受到了考古界的严厉谴责。在他唯一的好友萨拉的帮助与支持下，泰@艾斯奥特曼第27集@德再一次踏上了一段充满危险的冒险旅程。这一次，他将穿过墨西哥、芝加哥、巴黎和埃及，寻找结束翡翠石碑诅咒的方法。
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Francis Whately
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本系列致力于探索英国在讽刺文学和猥琐粗俗的幽默上面的传统。 第一@乱码中文字幕@集 有史以来最讽刺、下流、猥琐、无礼的历史 本片从18世纪早期的乔治王朝统治时期入手，给大家展示全国性的公开粗俗，简直让人震惊！贺加斯，吉尔雷，罗兰生，克鲁克香克笔下的绘画，以及约翰·盖伊和亨利·菲尔丁笔下光怪陆离的戏剧世界会让我们大开眼界。歌手露西·斯吉平会带我们一览乔治王朝粗俗下流情歌的盛况。我们还会从蒲伯，斯威夫特，拜伦以及斯特恩入手，研究一下那个时代脏话的文学起源。 第二集 荤段子与艳照 在维多利亚时期严谨，纯洁，禁欲的价值观中幸存下来的英国讽刺文学和猥琐粗俗的幽默传统，是如何在20世纪前半叶得到了繁荣发展？我们回去调查由摄影技术引发的道德恐慌，因为火辣的照片变得唾手可得。我们还会去关注由早期连环画经典形象Ally Sloper所存在的那个粗鲁又讽刺意味鲜明的世界。最后，咱们要去看看码头上的西洋景以及唐纳德·麦吉尔的明信片艺术中如何催生出了海滩上的猥琐文化。 第三集 猥琐到极致是谓无敌 关于英国讽刺文学和猥琐粗俗的幽默传统的探索将会把视线转向20世纪60年代出现并持续至今的大众民主式的粗鲁野蛮。我们将会探索复兴的粗俗政治漫画，Viz杂志中的滑稽艺术，乔·奥顿的剧院，霍恩周围的无线电广播，以及地下杂志Oz。电视上粗俗的历史可以从《永不分离》追溯到《小不列颠》...最后我们要关注，性别歧视者和种族主义者是如何看待这些粗俗喜剧的。
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Martain Kratt,Chris Krat
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故事的每一集都特写一个生动活泼的冒险活动，带领孩子们进入一个神秘的野生@村长你能更猛一点@动物世界。孩子们在每集都可以了解到不同的动物种类。克拉@外国聊天室@特兄弟拥有超级能量和生物力量，用超能力碟让自己变成那一种动物，帮助拯救一些受到威胁的动物，并去了解那些世界上最迷人的野生动物，是@谢贤的电视剧@一个优秀的动漫。
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The main story is set in a British Military Intelligence Office in Whitehall during 1956, where a small group of foreign affairs analysts find their quiet existence disrupted by the Suez Crisis. Ewan McGregor plays Mick Hopper, who is doing his national service as an interpreter of Russian documents. Bored with his job, Hopper spends his days creating fantasy daydreams that involve his wo@mm1313@rk colleagues breaking into contemporary hit songs. Louise Germaine plays Sylvia Berry, the blonde wife of the violent Corporal Pete Berry (Douglas Henshall). Sylvia is an object of desire for Mick's fellow clerk Private Francis Francis and a middle-aged pipe-organist named Harold Atterbow (Roy Hudd). Unlike the street-wise Hopper, Francis is a clumsy Welsh intellectual whose academic career has been interrupted by his army call up. The appearance of the bookish niece of a seconded American officer enables the two conscripts to pair off with suitable partners, after initial mismatching. Some of the side themes include the influence of American rock and roll on English society, the gulf between the senior analysts, who are regular army officers, and the conscripted other ranks, the work of Russian playwright Chekhov, and the appreciation of opulent theatre pipe organs. The unusual context — a military culture transplanted into a civil service style office environment — reflects Potter's own national service during the 1950s. While this piece has the form of a romantic comedy, unlike the less conventional works of Dennis Potter's middle period, it@有人去过m78星云吗@ is not without graphic sex and violence, as well as Potter's characteristic flashes of dreamlike imagery. The centrepiece of this production is the surreal musical sequence set to the song In a Persian Market.